WRITING QUOTES XIII

quotations about writing

I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.

JO WALTON

interview, RT Book Reviews

Tags: Jo Walton


When I write, I write because a thing has to be done. I don't think a writer should meddle too much with his own work. He should let the work write itself.

JORGE LUIS BORGES

The Paris Review, winter-spring 1967


There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.

MIGUEL DE CERVANTES

Don Quixote

Tags: Miguel de Cervantes


Good fiction creates its own reality.

NORA ROBERTS

The Stanislaski Brothers


Nothing bad can happen to a writer. Everything is material.

PHILIP ROTH

attributed, Literary Agents: How to Get & Work With the Right One For You


For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

Tags: Ursula K. Le Guin


Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?

VIRGINIA WOOLF

"Words Fail Me", BBC radio, April 29, 1937

Tags: Virginia Woolf


A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.

WILLIAM SHENSTONE

Essays on Men and Manners


Whether 10 or 1,000 people are listening is irrelevant. Writing is an investment in your future and your potential.

BIANCA BASS

"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016


I never write in the daytime. It's like running through the shopping mall with your clothes off. Everybody can see you. At night ... that's when you pull the tricks ... magic.

CHARLES BUKOWSKI

Interview Magazine, September 1987

Tags: Charles Bukowski


My job is not to try to give readers what they want but to try to make readers want what I give.

CHINA MIÉVILLE

The Guardian, September 20, 2012


The writer is often faced with two choices--turn away from the reality of life's intimidating complexity or conquer its mystery by battling with it. The writer who chooses the former soon runs out of energy and produces elegantly tired fiction.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra


Hate the autocracy of the kept gates all you like, but the forge of rejection purifies us (provided it doesn't burn us down to a fluffy pile of cinder). The writer learns so much from rejection about himself, his work, the market, the business. Even authors who choose to self-publish should, from time to time, submit themselves to the scraping talons and biting beaks of the raptors of rejection. Writers who have never experienced rejection are no different than children who get awards for everything they do: they have already found themselves tap-dancing at the top of the "I'm-So-Special" mountain, never having to climb through snow and karate chop leopards to get there.

CHUCK WENDIG

"25 Things Writers Should Know About Rejection", Terrible Minds


The industry is a terrible, cold place run by people who love to tear writers apart. Rejection is the norm, which means writing is the act of falling madly, deeply in love with your characters and story, even knowing you'll probably get your heart broken for it.

COREY MANDELL

"Beware the Writing Zombies", Huffington Post, February 25, 2016


Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!

DAVID CHISLETT

"Editing Is Not Writing", Books LIVE, February 12, 2016


To say that a writer's hold on reality is tenuous is an understatement -- it's like saying the Titanic had a rough crossing. Writers build their own realities, move into them, and occasionally send letters home.

DAVID GERROLD

The Martian Child

Tags: David Gerrold


I think it is essential to promote your work, since there are over 100,000 books published each year, and readers can fall in love with books they've never heard about.

DOUGLAS CARLTON ABRAMS

interview, The Writer's Life

Tags: Douglas Carlton Abrams


In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.

ERNEST HEMINGWAY

preface, The First Forty-Nine Stories


If, while observing the boundless universe, the writer is able to scrutinise his own self as well as others, the resulting incisiveness of his observations will far surpass objective descriptions of reality.

GAO XINGJIAN

"Literature as Testimony: The Search for Truth", Witness Literature: Proceedings of the Nobel Centennial Symposium

Tags: Gao Xingjian


Everyone who has ever written will have discovered that writing always awakens something which, though it lay within us, we failed clearly to recognize before.

GEORG CHRISTOPH LICHTENBERG

"Notebook J", The Waste Books