American author (1927-1989)
Grab a woman. Help the movement. Liberate a woman tonight. You'll get stale out here in the woods, living like a bear. Your balls will shrink, your tongue grow stiff and heavy. Your mind will wither away. Whatever became of William Gatlin? Went mad flogging his bloody duff.
EDWARD ABBEY
The Serpents of Paradise
I try to think of a favorite among my arid-country flowers. But I love them all. How could we be true to one without being false to all the others?
EDWARD ABBEY
Beyond the Wall: Essays from the Outside
What our economists call a depressed area almost always turns out to be a cleaner, freer, more livable place than most.
EDWARD ABBEY
A Voice Crying in the Wilderness (Vox Clamantis in Deserto)
Guns don't kill people; people kill people. Of course, people with guns kill more people. But that's only natural. It's hard. But it's fair.
EDWARD ABBEY
Abbey's Road
I'd sooner exchange ideas with the birds on earth than learn to carry on intergalactic communications with some obscure race of humanoids on a satellite planet from the world of Betelgeuse.
EDWARD ABBEY
"The First Morning", Desert Solitaire
The desert rat carries one distinction like a halo: he has learned to love the kind of country that most people find unlovable.
EDWARD ABBEY
Beyond the Wall: Essays from the Outside
Man the Pest, multiplied to the swarming stage, is attacking the remaining forests like a plague of locusts on a field of grain.
EDWARD ABBEY
"The Crooked Wood", The Journey Home
When the situation is hopeless, there's nothing to worry about.
EDWARD ABBEY
The Monkey Wrench Gang
One man alone can be pretty dumb sometimes, but for real bona fide stupidity, there ain't nothing can beat teamwork.
EDWARD ABBEY
The Monkey Wrench Gang
Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio, or Rome -- there's no limit to the human capacity for the homing sentiment.
EDWARD ABBEY
"The First Morning", Desert Solitaire
Walking is the only form of transportation in which a man proceeds erect -- like a man -- on his own legs, under his own power. There is immense satisfaction in that.
EDWARD ABBEY
Postcards from Ed
Anarchism is democracy taken seriously.
EDWARD ABBEY
One Life at a Time, Please
Nobody seems more obsessed by diet than our anti-materialist, otherworldly, New Age, spiritual types. But if the material world is merely an illusion, an honest guru should be as content with Budweiser and bratwurst as with raw carrot juice, tofu, and seaweed slime.
EDWARD ABBEY
A Voice Crying in the Wilderness
Society is like a stew. If you don't keep it stirred up, you get a lot of scum on top.
EDWARD ABBEY
A Voice Crying in the Wilderness
Civilization, like an airplane in flight, survives only as it keeps going forward.
EDWARD ABBEY
A Voice Crying in the Wilderness
Growth for the sake of growth is the ideology of the cancer cell.
EDWARD ABBEY
The Journey Home
Capitalism: Nothing so mean could be right. Greed is the ugliest of the capital sins.
EDWARD ABBEY
A Voice Crying in the Wilderness (Vox Clamantis in Deserto)
The most attractive feature of Alaska, I say, is its small, insignificant human population.
EDWARD ABBEY
Beyond the Wall: Essays from the Outside
Love is a disease. A social disease. A romantic, venereal, medieval disease. A hangover from the days of the fornicating troubadours and the gentlemen in iron britches.
EDWARD ABBEY
The Serpents of Paradise
In the land of bleating sheep and braying jackasses, one brave and honest man is bound to create a scandal.
EDWARD ABBEY
Postcards from Ed: Dispatches and Salvos from an American Iconoclast